BURN THOSE BUNNY
SLIPPERS & BECOME THE SUCCESSFUL WRITER YOU ALWAYS WANTED TO BE!
This
workshop is for anybody contemplating chucking their day job
to become a full-time writer and will benefit those who have already taken the
plunge but feel like they're going in futile circles instead of progressing
toward publication.
Be sure to
download the handout to find suggestions for homework and join us for the
workshop to explore these topics and more:
Why it's
important to dress for success and treat writing like a "real" job
How to
look and sound like a pro from the very first day
What's the
difference between a goal and a dream?
How to set realistic benchmarks to measure your progress
How to
ensure you'll keep that daily appointment with yourself and produce a quota of
words/pages even when the muse is on strike
Facing the
fear of rejection and submitting what you write
Making
sure all your eggs aren't in the same basket (i.e. not submitting to just one
type of market that might disappear without warning)
I look forward to working with you at THE MUSE 2008 ONLINE WRITERS
CONFERENCE!
Susanne Rose
Organize
Your Writing Life with Cheryl Malandrinos
Creative Block Buster for Poetry with Lisa Gentile
HOW TO
MAKE SURE YOUR CHILDREN'S BOOK "HOOKS" AN EDITOR.
By Margot
Finke
Make sure that final polish
is throughout your manuscript:
Let’s chat about, VOICE,
CHARACTER ENRICHMENT and FOCUS
And that’s just the
beginning. . .
<><><><><><>
If you are writing in
rhyme:
Make sure the meter is
smooth and repeated.
And then, there are those
rhyming words. . .
Just rhyming is NOT enough!!
<><><><><><>
REMEMBER: illustrations take care of the details.
<><><><><><>
There’s a LOT more to HOOKING an editor – so let’s CHAT
The Magic
of Magic:
How to
Create (and use) a Magic System with Christina Barber
Join
award-winning, multi-published author, Christina Barber on the wondrous journey
of creating your own magic system.
Show and No Tell with Dindy Robinson
Editors often tell writers to “Show, don’t tell,” but what do they mean
by this? What is the difference between showing and telling, and how, exactly,
do you show your reader what is happening?
The Art and Science of Self-Publishing
with Susan K. Stewart
Whether
your book is for a small niche market or a broad audience, it is easier than
ever before to self-publish a quality product. Susan provides details of
publishing for an audience smaller than 50,000; smaller even than 500. She
covers building a quality product, cost, and marketing.
Creative Block Buster for Poetry with Lisa Gentile
HOW TO
MAKE SURE YOUR CHILDREN'S BOOK "HOOKS" AN EDITOR.
By Margot
Finke
Make sure that final polish
is throughout your manuscript:
Let’s chat about, VOICE,
CHARACTER ENRICHMENT and FOCUS
And that’s just the
beginning. . .
<><><><><><>
If you are writing in
rhyme:
Make sure the meter is
smooth and repeated.
And then, there are those
rhyming words. . .
Just rhyming is NOT enough!!
<><><><><><>
REMEMBER: illustrations take care of the details.
<><><><><><>
There’s a LOT more to HOOKING an editor – so let’s CHAT
The Magic
of Magic:
How to
Create (and use) a Magic System with Christina Barber
Join
award-winning, multi-published author, Christina Barber on the wondrous journey
of creating your own magic system.
Writing for the Trades (How to Make
Money Writing Non-fiction)
with Linda J Hutchinson
What are “the trades” and how do you
make money writing for them? Register
for this intensive workshop on how to make money writing non-fiction while, like
most of us, you are waiting to sell film and international rights to your
bestselling novels.
Linda J. Hutchinson has been writing
for construction, parenting, volunteerism, food, and writing print and online
magazines – or “trade” journals – for the past four years. She makes a steady income writing about
moving dirt, setting girders, pouring concrete, diverting traffic, getting
muddy, and getting it right. She’s been
paid to write about dangerously obsolete bridges that carry up to 500,000 cars,
trucks, and big rigs per day, about rocking “crack babies”, mystery meat, her
family (which is not always appreciated), and most things in between.
No matter what your background,
there is a “trade” journal or magazine in existence that is just waiting for
your input – and they will pay you to write for them.
What are “the trades”? How do you write for them? How much can you make? (Hint:
Many of the trades pay between 10 and 30 cents per word, and pay an
additional amount for photographs.)
We’ll discuss AP Style, MLA Style,
We’ll also discuss how to
cyber-stalk your interview subjects without pi**ing them off.
If you’d like to see examples of what these editors are looking for, visit www.lindajhutchinson.com. An abundance of live links to sold articles may be found on the Published Clips page.
9PM EST
Wham,
Bam, Thank You, Ma'am: Cutting to the Chase and Writing First Chapters That
HOOK
By Sara
Reinke
Did you know that prospective
editors and agents sometimes make their decision as to whether or not to
contract your work based on the first page of your manuscript? Some decide by
the end of the first paragraph, and some even by the first sentence. Your
book needs to start with a bang, a sure-fire hook to catch a reader's interest.
In this fun-filled, fast-paced chat, learn the tricks of the trade for writing
short-and-sweet, down and dirty first chapters that grab attention and don't
let go.
Organize
Your Writing Life with Cheryl Malandrinos
Creative Block Buster for Poetry with Lisa Gentile
Your book
is published! You've sent out the media
releases and the review requests. Now
what? You want to get the word out, but
you don't have the money or the time to take it on the road.
Time to get
on the
*Finding websites that target your
audience
*The many ways of getting your book
mentioned on-line from comments on a blog to interviews, chats, podcasts and
more.
*Presenting yourself effectively
on-line.
*Following up.
Fine Tuning the Senses with Jane Bernard
Fine
Tuning the Senses
is how to break through writers block. This approach to writing will
connect you with your intuitive voice.
Using the
techniques in this course which are based on Fine Tuning, Connecting With
Your Inner Power, you will recognize that intuition is your internal
guidance system for accessing clarity. Part of the discovery
of Fine Tuning is that it is easy. Importantly for each of us,
clarity leads to a sense of self-recognition and accomplishment.
We
have the answers to our writing conundrums, and they¢re at our
finger-tips. Fine Tuning helps open the door to the spark that drives
your writing. Through Fine Tuning you will recognize that spark driving
you, connecting with the passion to write is your intuition.
Fine Tuning the Senses workshop includes a series of interactive
writing exercises using the 5 senses culminating in the creation of a platform
connecting with our 6th sense, intuition.
This
workshop is intended to be fun, educational and inspiring.
Objective:
Focusing on the senses turns the key, opening doors to your imagination. Fine
tuning the senses lets you access the passion you have that enables you to
clarify your message. Upon completion of this workshop, you will feel empowered
and inspired as a writer and a communicator.
It’s All About You! Writing
Personal Stories wiith Carol Celeste
What Aspiring Writers Need to Know
With Marie Delgado Travis
At the first Muse Global Conference,
award-winning writer Marie Delgado Travis shared her tips and experiences with
aspiring writers. Now, two years wiser, she again shares information on how to
succeed in writing by really trying! Join her for an honest, heart to heart
chat on such topics as getting published and self-publishing, building a
platform as a writer and overcoming writer's block and rejection. Half big
sister, half fairy godmother, Marie's chat may well give you, the aspiring
writer, the encouragement needed to pursue your dreams. For more information on
your cheerleader / presenter, visit Marie's web site at www.mariedelgadotravis.com
HOW TO
MAKE SURE YOUR CHILDREN'S BOOK "HOOKS" AN EDITOR.
By Margot
Finke
Make sure that final polish
is throughout your manuscript:
Let’s chat about, VOICE,
CHARACTER ENRICHMENT and FOCUS
And that’s just the
beginning. . .
<><><><><><>
If you are writing in
rhyme:
Make sure the meter is
smooth and repeated.
And then, there are those
rhyming words. . .
Just rhyming is NOT enough!!
<><><><><><>
REMEMBER: illustrations take care of the details.
<><><><><><>
There’s a LOT more to HOOKING an editor – so let’s CHAT
Have
a knack for writing short stories? But, does the opening grab the attention of
the reader? Do your readers fall asleep reading them? I’ll help you with a few
tricks I’ve learned about how to add that needed punch. Need ideas for short
stories? I can help there also. If you write stories only about one or two
topics, why not branch out? Expand your comfort zone into areas you know about
but don’t realize. You’re the expert at lasagna, but what about that time it
landed on the floor? To save embarrassment, write it third person, blame the
cat. There’s a million stories out there. Help us write them.
Plotting your Novel: One Way to Get from Point A to
Point Z and all the Places In Between with Dindy Robinson
You’ve got a story and you’re
ready to put it on paper, but how do you handle all the side roads without
losing sight of your main destination. This workshop will show you ONE way to
organize your novel.
Writing Sex -- “Hands on” with Kassie Burns
If you want to learn how to write an effective sex scene, come prepared
to participate. Writers in this workshop will be “caught in the act” – i.e.,
required to write a sex scene and submit it for critique.
Kassie Burns, a multi-published author of sensual SF and fantasy
romance, will conduct the workshop and offer her feedback on what you’ve
written. She will remove all
identification from submissions so they will be completely anonymous to other
members of the group.
The scene you submit can be from a work in progress or written just for
the workshop. However, Kassie does need to receive all scenes at least a week
before the workshop begins. So sign up early and she’ll send you further
details on how to submit your sex scene for feedback.
Frugal Writer’s Guide to Web Sites
with Susan K. Stewart
Every
writer knows that a web site is essential for marketing. Whether you write
books or articles, are a beginner or best-seller, a Internet presence is
necessary. Learn the 5 Ws and H of building a web site. It is easier and
cheaper than you think.
Creative Block Buster for Poetry with Lisa Gentile
A Blueprint
for Your Creative Space through the Power of Feng Shui with Anna Maria
Prezio, author of "Confessions of a Feng Shui
Ghost-Buster"
Do you know
where your most creative and productive areas of your house or office are
located?
Do you know
your most auspicious colors? How, when and where to use them?
A small
change in your office or home work area can make the difference from being blocked
to a creative flow.
The
Principles of Feng Shui can help you call in the Muse and allow your intuitive
power to manifest abundant creativity.
Power
and Prosperity through Feng Shui and Color, a special report, will be provided
to guide you through the process.
Creative
space helps us connect to our innermost artistic creativity. You'll know
at least one way to harmonize your chi so that
your
creativity can flow easily and effortlessly.
Get rid of
those pesky ghosts that are holding you back from creating your materpiece.
Bonus: "Ten Rules to a Serene & Ghost-Free Environment" from Anna Maria's new book, "Confessions of a Feng Shui Ghost-Buster"
(A chat
workshop and forum by Maya Kaathryn Bohnhoff, member SFWA/HWA, multi-published
author of fantasy and science fiction)
To be an amateur in the original sense of the word simply means to do
something for love, though our culture has added the rider, "not for pay."
An amateur writer, then, is generally taken to mean one who’s not paid for her
efforts.
“Amateur” has also come to mean someone who lacks polish, skill and
craft. Synonyms for “amateurish” include: unprofessional,
sloppy, inept, slipshod, clumsy, crude. That doesn’t sound good.
To me, being a truly amateur writer—a lover of writing—means you love your craft enough to have a
professional attitude toward it, a desire to do it with the highest level of
skill you can. So, how do you make your craft reflect true amateurism and not
the other kind? By weeding out the signs
of amateurism and cultivating craft.
In this workshop, I'd like to offer some ideas on how to spot the
"weeds" of amateurism in your writing, such as:
·
Sloppiness
·
Language
Abuse
·
Mixed
Metaphors
·
Character
acrobatics
·
Black
box scenes
·
Enter
stage right
·
Disappearing
(or uni-tasking) characters
·
Narrator
as Barney or Why you should keep reading after kindergarten.
·
Serendipity
And more!
Creating Memorable
Characters Chat
With Marilyn Meredith
After you read the handout, ask any
question that you might have about creating memorable characters. When creating
your characters, you need to know what happened to them in their past to make
the actions they take in the conflict they are faced with in your novel or
short story.
You should know your characters well
enough that they are more real than any of your family members or friends.
After all, you know their innermost thoughts, something you never really know
about the people you are with from day-to-day.
Marilyn is the author of two mystery
series: The Deputy Tempe Crabtree series and the Rocky Bluff P.D. series
written under the name of F. M. Meredith. She has taught this class for several
writers’ conferences including Epicon and Public Safety Writers Association.
She’s a member of Epic, Sisters in Crime, PSWA, MWA, WOW, American Authors
Association, and California Writers Club.
HOW TO
MAKE SURE YOUR CHILDREN'S BOOK "HOOKS" AN EDITOR.
By Margot
Finke
Make sure that final polish
is throughout your manuscript:
Let’s chat about, VOICE,
CHARACTER ENRICHMENT and FOCUS
And that’s just the
beginning. . .
<><><><><><>
If you are writing in
rhyme:
Make sure the meter is
smooth and repeated.
And then, there are those
rhyming words. . .
Just rhyming is NOT enough!!
<><><><><><>
REMEMBER: illustrations take care of the details.
<><><><><><>
There’s a LOT more to HOOKING an editor – so let’s CHAT
Award-winning authors, Maya and Karina, will discuss
incorporating real and imaginary religions into your fictional world.
How to
create new religions, how to write about real ones respectfully, incorporating
details.
A handout will be posted, and questions taken during a chat.
Creative Block Buster for Poetry with Lisa Gentile
HOW TO
MAKE SURE YOUR CHILDREN'S BOOK "HOOKS" AN EDITOR.
By Margot
Finke
Make sure that final polish
is throughout your manuscript:
Let’s chat about, VOICE,
CHARACTER ENRICHMENT and FOCUS
And that’s just the
beginning. . .
<><><><><><>
If you are writing in
rhyme:
Make sure the meter is
smooth and repeated.
And then, there are those
rhyming words. . .
Just rhyming is NOT enough!!
<><><><><><>
REMEMBER: illustrations take care of the details.
<><><><><><>
There’s a LOT more to HOOKING an editor – so let’s
CHAT
EPPIE-winner Karina Fabian (www.fabianspace.com) guides you through creating realistic worlds you'll want to write about and your readers will want to read more of. You'll be given questions to guide you in imagining your world, suggestions for modeling your world on current or historical worlds, and exercises to make your worlds seem real. Karina has three major universes she's created to play in and has even created a website for her Dragon Eye, PI world. (Come visit at www.dragoneyepi.net.)
9PM EST
How to Sell
to Yourself
with VS
Grenier
It‘s more than writing a good story or article when it comes to being noticed
by publishers and editors. Think about it, how many bad books are out there
making money? How many awful articles have you read in recent publications? Do
you wonder how these writers are getting published and you’re not? Do you think
it has to do with the catch 22 system? In some ways it does, but knowing how to
sell yourself is key. You’re not just a writer, you’re a Salesman! And the product
you’re selling is Yourself!
VS
Grenier’s background in merchandise marketing has played a key role in how she
sells herself as a writer and editor. Her ezine, Stories for Children Magazine
wouldn't be making the head way it has over the past year if it wasn't for the
tips she’s learned in marketing product.
As writers we are a product, not just our books. Many writers aren't successful
because they don't know how to sell themselves; let a lone their writing. In
this workshop we’ll cover:
·
Query
and Cover letters
·
Writing
a Synopses
·
Websites
·
Blogs
·
Newsletters
·
Marketing
Strategies
1. FREE Media Releases
2. Cross Promotion
3. Book Signings
4. School Visits
5. Word of Mouth
So you want to write YA? Writing the book is the
easy part. Kim Baccellia will share some things she's learned from
epublishing her YA multicultural book, EARRINGS OF IXTUMEA. With either a
small press or epublisher, it's up to the author to do the
marketing. She will share some things she learned on PR and how to
get the buzz out there on your book. Also she will share from her
reviewer experience, trends she's seeing in upcoming YA.
Kim Baccellia is the author of the YA book EARRINGS OF IXTUMEA. She's also a YA reviewer for Enchanting Reviews and has been a panelist for the Cybils-Children/YA blogger literary awards-for the past two years in which she helped judge over 100 books. Currently she's working on a tween fantasy/romance. Her website is www.kim-baccellia.com
HOW TO
MAKE SURE YOUR CHILDREN'S BOOK "HOOKS" AN EDITOR.
By Margot
Finke
Make sure that final polish
is throughout your manuscript:
Let’s chat about, VOICE,
CHARACTER ENRICHMENT and FOCUS
And that’s just the
beginning. . .
<><><><><><>
If you are writing in
rhyme:
Make sure the meter is
smooth and repeated.
And then, there are those
rhyming words. . .
Just rhyming is NOT enough!!
<><><><><><>
REMEMBER: illustrations take care of the details.
<><><><><><>
There’s a LOT more to HOOKING an editor – so let’s CHAT
Creating An
Impressive Writing Website
With Linda
Jo-Martin
This
workshop will contain basic and intermediate level information on setting up
and organizing a website or blog to promote your writing. Participants can ask
questions about web design, search engine optimization, website content,
blogging, or any other aspect of owning and developing a writer's website.
BEFORE COPY EDITING with Claudia
Suzanne
Misplacing a comma or dangling a
participle won't knock you out of the land-a-publisher contest -- but poor
structure and static writing will.
Poor structure is the number one
reason nonfiction books don't sell. It's the number one reason for novels, too,
except in fiction, structure is called plot and characters.
The number two reject reason for all
books? Static writing. More than "show, not tell," more than active
verbs and lyrical passages, static writing is all about phrasing and
ridding yourself of those academic "rules" you learned in school that
no longer apply in 21st Century prose.
HOW TO
MAKE SURE YOUR CHILDREN'S BOOK "HOOKS" AN EDITOR.
By Margot
Finke
Make sure that final polish
is throughout your manuscript:
Let’s chat about, VOICE,
CHARACTER ENRICHMENT and FOCUS
And that’s just the
beginning. . .
<><><><><><>
If you are writing in
rhyme:
Make sure the meter is
smooth and repeated.
And then, there are those
rhyming words. . .
Just rhyming is NOT enough!!
<><><><><><>
REMEMBER: illustrations take care of the details.
<><><><><><>
There’s a LOT more to HOOKING an editor – so let’s CHAT
A Blueprint
for Your Creative Space through the Power of Feng Shui with Anna Maria
Prezio, author of "Confessions of a Feng Shui
Ghost-Buster"
Do you know
where your most creative and productive areas of your house or office are
located?
Do you know
your most auspicious colors? How, when and where to use them?
A small
change in your office or home work area can make the difference from being blocked
to a creative flow.
The
Principles of Feng Shui can help you call in the Muse and allow your intuitive
power to manifest abundant creativity.
Power
and Prosperity through Feng Shui and Color, a special report, will be provided
to guide you through the process.
Creative
space helps us connect to our innermost artistic creativity. You'll know
at least one way to harmonize your chi so that
your
creativity can flow easily and effortlessly.
Get rid of
those pesky ghosts that are holding you back from creating your materpiece.
Bonus:
"Ten Rules to a Serene & Ghost-Free Environment" from Anna
Maria's new book, "Confessions of a Feng Shui Ghost-Buster"
Adding
Suspense
Want a
little more pizzazz on that page? Get
hands-on, practical experience in turning the mundane into something more in
this week-long workshop.
The Art and Science of Self-Publishing with Susan K. Stewart
BEFORE COPY EDITING with Claudia
Suzanne
Misplacing a comma or dangling a
participle won't knock you out of the land-a-publisher contest -- but poor
structure and static writing will.
Poor structure is the number one
reason nonfiction books don't sell. It's the number one reason for novels, too,
except in fiction, structure is called plot and characters.
The number two reject reason for all
books? Static writing. More than "show, not tell," more than active
verbs and lyrical passages, static writing is all about phrasing and
ridding yourself of those academic "rules" you learned in school that
no longer apply in 21st Century prose.
Learn how to correct your structure
and brighten your prose from Claudia Suzanne, a ghostwriter who's worked on
over 100 books -- including NY Times Bestsellers, award-winning novels,
and her own internationally acclaimed title, This Business of Books (5th Edition in progress).
Building Your Author Platform
with Jamie Engle and Pauline Baird Jones
“Author Platform” is one of the buzz phrases floating around publishing houses. Besides looking at how well-written a book is, editors are looking at the author’s platform, or how well they’re connected to their community of readers. They’re looking to see if the author has a built-in audience - a community they can tap - for book sales and promotion. We’ll discuss what exactly an author platform is, how you begin to build one and how your platform ties in to book promotion and sales.
BURN THOSE BUNNY
SLIPPERS & BECOME THE SUCCESSFUL WRITER YOU ALWAYS WANTED TO BE!
This
workshop is for anybody contemplating chucking their day job
to become a full-time writer and will benefit those who have already taken the
plunge but feel like they're going in futile circles instead of progressing
toward publication.
Be sure to
download the handout to find suggestions for homework and join us for the
workshop to explore these topics and more:
Why it's
important to dress for success and treat writing like a "real" job
How to
look and sound like a pro from the very first day
What's the
difference between a goal and a dream?
How to set realistic benchmarks to measure your progress
How to
ensure you'll keep that daily appointment with yourself and produce a quota of
words/pages even when the muse is on strike
Facing the
fear of rejection and submitting what you write
Making
sure all your eggs aren't in the same basket (i.e. not submitting to just one
type of market that might disappear without warning)
I look forward to working with you at THE MUSE 2008 ONLINE WRITERS
CONFERENCE!
Susanne Rose
Creating An Impressive Writing Website
With Linda
Jo-Martin
This workshop will contain basic and intermediate level information on setting up and organizing a website or blog to promote your writing. Participants can ask questions about web design, search engine optimization, website content, blogging, or any other aspect of owning and developing a writer's website.
Creative Block Buster for Poetry with Lisa Gentile
Stuck? Do you have a poem that
seems like it just won’t spring to life? Are you trying to complete your first
chapbook? Whether you have a draft, a note, an idea, or an image, you can move
your work forward. Join creativity coach Lisa Gentile for a 5 day workshop on
busting through creative blocks. You will have the opportunity to generate
new poems, enliven existing pieces, and find new ways to hear what your
material is telling you.
So you want to write YA? Writing the book is the
easy part. Kim Baccellia will share some things she's learned from
epublishing her YA multicultural book, EARRINGS OF IXTUMEA. With either a
small press or epublisher, it's up to the author to do the
marketing. She will share some things she learned on PR and how to
get the buzz out there on your book. Also she will share from her
reviewer experience, trends she's seeing in upcoming YA.
Kim Baccellia is the author of the YA book EARRINGS
OF IXTUMEA. She's also a YA reviewer for Enchanting Reviews and has been
a panelist for the Cybils-Children/YA blogger literary awards-for the past two
years in which she helped judge over 100 books. Currently she's working
on a tween fantasy/romance. Her website is www.kim-baccellia.com
Exhibiting at trade shows and book fairs is a great way for any author to get exposure for his or her work, but doing so can be prohibitively expensive. How can you take part in these professional events and keep your wallet intact? This session shows you how to be a force at these shows and how to have a great-looking booth on a shoestring budget.
Profit, profit, PROFIT! As writers we all want it. Author promotion consultant and home/writing environmentalist Lisa Logan discusses how writers of all genres can utilize eco-friendly methods of writing, submitting, and promoting their work to increase profits, expand target audience...AND save the planet! An absolute must for writers looking to spike their profit margin, protect the environment...or both.
Helpful Editing/Grammar Tips With Dr. Bob Rich
Join Dr. Bob Rich for a weeklong workshop to help you tighten your manuscripts.
How to
Critique Like a Pro with Carol J. Amato
So you’ve
joined a critique group and you’re reading or listening to the other members’
manuscripts. What are you supposed to be looking for? What are you supposed to
say? This session will tell you what you need to know to critique the various
genres of fiction and nonfiction books and articles.
HOW TO
MAKE SURE YOUR CHILDREN'S BOOK "HOOKS" AN EDITOR.
By Margot
Finke
Make sure that final polish
is throughout your manuscript:
Let’s chat about, VOICE,
CHARACTER ENRICHMENT and FOCUS
And that’s just the
beginning. . .
<><><><><><>
If you are writing in
rhyme:
Make sure the meter is
smooth and repeated.
And then, there are those
rhyming words. . .
Just rhyming is NOT enough!!
<><><><><><>
REMEMBER: illustrations take care of the details.
<><><><><><>
There’s a LOT more to HOOKING an editor – so let’s CHAT
How to Sell to Yourself with VS
Grenier
It‘s more than writing a good story or article when it comes to being noticed
by publishers and editors. Think about it, how many bad books are out there
making money? How many awful articles have you read in recent publications? Do
you wonder how these writers are getting published and you’re not? Do you think
it has to do with the catch 22 system? In some ways it does, but knowing how to
sell yourself is key. You’re not just a writer, you’re a Salesman! And the product
you’re selling is Yourself!
VS
Grenier’s background in merchandise marketing has played a key role in how she
sells herself as a writer and editor. Her ezine, Stories for Children Magazine
wouldn't be making the head way it has over the past year if it wasn't for the
tips she’s learned in marketing product.
As writers we are a product, not just our books. Many writers aren't successful
because they don't know how to sell themselves; let a lone their writing. In
this workshop we’ll cover:
·
Query
and Cover letters
·
Writing
a Synopses
·
Websites